We’re Publishing a Zine
Its name is CONTENT. It features articles from The Creative Party, a new comic called Tales from the Water Bowl, and a letter from Steve Potestio himself.
Each issue will be released as a limited, 200-copy run, and distributed in Portland, Austin and Los Angeles.
CONTENT is edited by Nick Mendez, designed by Eric Howes, and made possible by the contributions of talented freelancers.
Issue One
The Donna Drapers – An Interview with Leading Ladies in Austin Advertising
by Page Jensen-Slattengren
I’m Learning to Code, and You Should Too–but That Won’t Make You a Developer
by Nick Mendez
Relocating to Austin Takes Cojones and Connections
by Molly Hitchings
Issue Two
How to Get Over a Job When It Breaks Up With You
by Nick Bachan
Local Fast Food Critic Tackles Portland’s Professional Dress Code
by John Locanthi
The Seeker Part One: Life After Send
by William Reagan
Pitching Your Portfolio: Do’s and Don’ts
by Page Jensen-Slattengren
Issue Three
Writing Funny Copy: Do’s and Don’ts
by Caitlin Kunkel
HR 2.0: Expanding Benefits and Building a Culture of Trust
by Nick Mendez
Be Like Plato–Tips for Finding the Right Mentor
by Bart Cleveland
How to Network When You Don’t Know Anybody in the Room
by Courtney Abud
Issue Four
Portland Design in the 1960s: Marilyn Holsinger
by Melissa Delzio
Helpful Notes from Nick, Vol. 3: Perks & Representation
by Nick Bachan
The Seeker Part Six: All the Right Wrong Answers
by William Reagan
Issue Five
The Cost of Being Creative in Portlandia
by Mahesh Raj Mohan
The Definitive Guide to Working with Non-Millennials
by Page Jensen-Slattengren
Workplace Body Language: Do’s and Don’ts
by Amber L. Carter
Issue Six
Companies (and #Brands) Have a Responsibility to Stand Up to Bigotry
by Courtney Abud
How to Make the Most of Your Phone Interview
by Molly Hitchings
Intro to Filmmaking Part One: Crafting a Story
by Charles Pearce
The Business and Performance Art of Freelancing
by Val Brains
Want to write for The Creative Party? Get in touch. Some guidelines are available here.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.